Falstaff Review from “Two on the Aisle”
“The balance between the voices and the orchestra was exemplary thanks to the combination of the auditorium’s acoustics and Steven Jarvi’s conducting of the accomplished orchestra. Jarvi’s interpretation was an ideal compliment to Dean Anthony’s staging. Both understood that Verdi’s score and Boito’s libretto are a total integration of music and drama. You could see gestures that mirrored the music, you could hear phrasing that enhanced the comedy. I particularly liked the scene in act two in which Ford and his crew find the young lovers behind the screen instead of Falstaff and Falstaff’s subsequent defenestration. It was clear that the performers cared as much about putting across the story as they did about singing. Andrew Stuckey’s well sung Falstaff was a character, not a caricature, which I greatly appreciated. Ron Loyd was convincing as the jealous husband Ford, while Kathy Pyeatt was very impressive as the self-possessed Alice Ford. Pyeatt was ably supported by Kate Tombaugh as Meg Page and Claudia Chapa as Mistress Quickly. Katy Lindhart’s Nanetta and Dustin Peterson’s Fenton were an attractive couple as the young lovers. The supporting cast included Zachary Devin as Dr. Caius, Adam Stefo as Pistola and Marc Schapman as Bardolfo, who was a reliable source of comedy in his wild wig. Scott Loebl’s half-timbered set worked well for all the interiors and Sean Savoie’s lighting compensated for the lack of trees in the forest. JC Krajicek coordinated the handsome period costumes designed by Glen Breed. All in all, another fine production from Winter Opera – my favorite of all I’ve seen from them.”
-Gerry Kowarsky and Bob Wilcox, ‘Two on the Aisle’ HEC-TV
Watch the full review here: http://www.hectv.org/video/14023/february-20-2014/#!/falstaff/Read more »
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- Another excellent review for Gina - her first in Spanish! The bit about Gina reads:
"Soprano Gina Galati resulted in a first-class Norina/ Sofronia. She has a beautiful voice and the ideal technical capacity for the acrobatics that the role requires; she showed off equally in both the musical and dramatic aspects, and she received shouts of "brava" from the beginning." -Daniel Fernandez, El Nuevo Herald.
Una ‘Don Pasquale’ con mucha chispa - Entretenimiento - ElNuevoHerald.com
La chispa y gracia originales de la ópera Don Pasquale, de Donizetti, salieron a relucir en el Colony Theatre la tarde del domingo con la nueva puesta de la Miami Lyric Opera (MLO), con el montaje de su director Raffaele Cardone. Y es que contaba con formidables puntales del bel canto que supie…
- A review for Gina's performance as Norina in Miami Lyric Opera's 'Don Pasquale' this weekend. Congratulations, Gina!
South Florida Classical Review » Blog Archive » Bass and soprano deliver the highlights in Miami...
Miami Lyric Opera’s production of Don Pasquale opened Saturday night at Miami Beach’s Colony Theater. While the staging showed moments of promise, the overall results were mixed, lying somewhere between a community and professional production.
- Winter Opera's production of Falstaff, February 2014. Starring Andrew Stuckey as Falstaff, Ron Loyd as Ford, Kathy Pyeatt as Alice, Kate Tombaugh as Meg, Claudia Chapa as Quickly, Katy Lindhart as Nanetta, Dustin Peterson as Fenton, Zachary Devin as Dr. Caius, Marc Schapman as Bardolfo, and Adam Stefo as Pistola. Directed by Dean Anthony and conducted by Steven Jarvi. Set Designed by Scott Loebl, Lighting Designer Sean Savoie, Costumes by Glenn Breed and Costume Coordinator JC Krajicek.
Winter Opera's production of Falstaff, February 2014. Starring Andrew Stuckey as Falstaff, Ron Loyd as Ford, Kathy Pyeatt as Alice, Kate Tombaugh as Meg, Claudia Chapa as Quickly, Katy Lindhart as Nanetta, Dustin Peterson as Fenton, Zachary Devin as Dr. Caius, Marc Schapman as Bardolfo, and Adam Stefo as Pistola. Directed by Dean Anthony and conducted by Steven Jarvi. Set Designed by Scott Loebl, Lighting Designer Sean Savoie, Costumes by Glenn Breed and Costume Coordinator JC Krajicek.
- Our production of 'Falstaff' got a mention in the Missouri Arts Council's "Big Birthday or Not, Shakespeare Thrives in Missouri" by Barbara MacRobie. https://www.missouriartscouncil.org/graphics/assets/documents/9c02c4a858dc.pdf